Freud’s Last Session ★★★★

Imagine the mental jousting between Sigmund Freud, the atheist pioneer of psychoanalysis, and the erudite Christian apologist C.S. Lewis, as they debate religion and the existence of God.

Director Matthew Brown collaborated with writer Mark St. Germain to adapt his 2009 stage play, “Freud’s Last Session,” into a compelling spiritual debate. Set in 1939, just before Great Britain’s declaration of war on Germany, the story imagines an encounter between the elderly Freud (played by Anthony Hopkins) and C.S. Lewis (played by Matthew Goode), who visits Freud’s London home.

Despite its dialogue-heavy nature, the narrative extends beyond conversation, incorporating wartime context and flashbacks to both men’s formative years. Hopkins and Goode deliver exquisite performances, driving a perceptive, character-driven narrative that explores their differing worldviews.

The film’s strength lies primarily in its cast, with Anthony Hopkins delivering a compelling portrayal of the fictionalized Freud, showcasing both his brilliance and flaws, while Matthew Goode offers a restrained yet emotionally resonant performance as C. S. Lewis. Liv Lisa Fries shines in her depiction of Anna Freud, portraying her as an astute individual overshadowed by her relationship with her illustrious father.

Overall, the film accomplishes its goal of provoking thought and enlightening viewers.