Every film leaves a mark. Film Diagnostic is where those marks get examined — sometimes clinically, sometimes obsessively, always personally. All genres, all eras, no apologies.
May December offers a riveting exploration of complex themes and intricate character dynamics, with stellar performances and masterful direction.
Natalie Portman shines as Elizabeth, seamlessly embodying her transformation as she delves into the psyche of Gracie, a former teacher entangled in a controversial relationship with a teenage student.
Julianne Moore delivers a captivating performance as Gracie, expertly navigating the delicate balance between strength and vulnerability, while Charles Melton brings depth to his portrayal of Joe, the central figure in the scandalous affair.
Director Todd Haynes skillfully weaves together melodrama and dark comedy, creating a compelling narrative that keeps viewers engaged. With thought-provoking exploration of morality, identity, and redemption, “May December” is a must-watch for fans of gripping character-driven dramas.
May December ★★★★
May December offers a riveting exploration of complex themes and intricate character dynamics, with stellar performances and masterful direction.
Natalie Portman shines as Elizabeth, seamlessly embodying her transformation as she delves into the psyche of Gracie, a former teacher entangled in a controversial relationship with a teenage student.
Julianne Moore delivers a captivating performance as Gracie, expertly navigating the delicate balance between strength and vulnerability, while Charles Melton brings depth to his portrayal of Joe, the central figure in the scandalous affair.
Director Todd Haynes skillfully weaves together melodrama and dark comedy, creating a compelling narrative that keeps viewers engaged. With thought-provoking exploration of morality, identity, and redemption, “May December” is a must-watch for fans of gripping character-driven dramas.
Christmess, Heath Davis’s latest film, falls into the social realist category, presenting a down-to-earth narrative. The story follows ex-film star Chris, navigating life post-rehab and working as a Santa at a suburban mall. While attempting to reconcile with his estranged daughter Noelle, the film explores themes of forgiveness and the complexities of personal redemption.
Despite the lack of grand resolutions or Christmas miracles, the movie excels in portraying genuine friendships and subtle warmth in the characters’ lives. Christmess stands out as a touching, emotionally engaging film, skillfully combining melancholy with hints of hope.
In this low-budget independent production, the film’s success lies in its flawless execution across aesthetics, outstanding performances, and sharp writing. Seasoned actors Steve Le Marquand and Darren Gilshenan deliver exceptional performances, complemented by Hannah Joy’s musical interludes.
The naturalistic dialogue, punctuated with subtle humor, adds depth to the minor yet touching narrative. Chris Bland’s cinematography captures Sydney’s suburban life with carefully observed details, embracing the banality and unique aspects of the Christmas season.
While the score is a minor weakness, Christmess stands as an exceptionally well-crafted independent film, leaving a lasting impact. Its subtlety and nuanced storytelling make it a standout Christmas film, transcending the typical didactic approach of contemporary cinema.
Christmess ★★★½
Christmess, Heath Davis’s latest film, falls into the social realist category, presenting a down-to-earth narrative. The story follows ex-film star Chris, navigating life post-rehab and working as a Santa at a suburban mall. While attempting to reconcile with his estranged daughter Noelle, the film explores themes of forgiveness and the complexities of personal redemption.
Despite the lack of grand resolutions or Christmas miracles, the movie excels in portraying genuine friendships and subtle warmth in the characters’ lives. Christmess stands out as a touching, emotionally engaging film, skillfully combining melancholy with hints of hope.
In this low-budget independent production, the film’s success lies in its flawless execution across aesthetics, outstanding performances, and sharp writing. Seasoned actors Steve Le Marquand and Darren Gilshenan deliver exceptional performances, complemented by Hannah Joy’s musical interludes.
The naturalistic dialogue, punctuated with subtle humor, adds depth to the minor yet touching narrative. Chris Bland’s cinematography captures Sydney’s suburban life with carefully observed details, embracing the banality and unique aspects of the Christmas season.
While the score is a minor weakness, Christmess stands as an exceptionally well-crafted independent film, leaving a lasting impact. Its subtlety and nuanced storytelling make it a standout Christmas film, transcending the typical didactic approach of contemporary cinema.
Die in a Gunfight★★
Forbidden love- like a modern Romeo and Juliet with more violence but somehow exhausting to watch. It could be because it didn’t seem enough to convince it was forbidden at all.
Die in a Gunfight is a highly familiar action-packed film that aims to entertain, and it does inconsistently.
Additionally, nothing else about this film feels natural. You keep hoping to connect with the story and the characters, but it’s too contrived and rigid. The story and the conflict are not engaging enough to even be told in the first place. On top of that, the predictable ending was tiring to anticipate, and the lack of wit caused inattentiveness.
I enjoyed the messy fight scenes, but nothing else quite memorable to talk about it. There was not much holding the film together. The loss of focus was apparent; I lost interest as the movie runs.
Altogether, this film is purely entertaining if you like action, blood and facial bruises. However, expect very little when it comes to humour and a meaningful storyline.
Die in a Gunfight★★
Forbidden love- like a modern Romeo and Juliet with more violence but somehow exhausting to watch. It could be because it didn’t seem enough to convince it was forbidden at all.
Die in a Gunfight is a highly familiar action-packed film that aims to entertain, and it does inconsistently.
Additionally, nothing else about this film feels natural. You keep hoping to connect with the story and the characters, but it’s too contrived and rigid. The story and the conflict are not engaging enough to even be told in the first place. On top of that, the predictable ending was tiring to anticipate, and the lack of wit caused inattentiveness.
I enjoyed the messy fight scenes, but nothing else quite memorable to talk about it. There was not much holding the film together. The loss of focus was apparent; I lost interest as the movie runs.
Altogether, this film is purely entertaining if you like action, blood and facial bruises. However, expect very little when it comes to humour and a meaningful storyline.
From a translator working with the Paris police anti-narcotics unit to becoming a crafty drug dealer, Huppert as Patience gives life to this delightful film with such elegance.
Based on the award-winning novel by Hannelore Cayre – who also co-wrote the script. Godmother is such a joy to watch—the kind of fun that keeps you a little on edge but is also heartfelt.
Patience Portefeux, aka Mama Weed, is such an entertaining character to follow. Her life philosophy is to take risks and bend the rules- keep life interesting enough and feel things, and she did. She is empowering, sleek and engaging. To watch and see her personality develop is exciting.
This film will leave you thinking about trying an adventure yourself. Most importantly, it delicately offers many current issues enough to inspire a conversation.
The Godmother★★★½
From a translator working with the Paris police anti-narcotics unit to becoming a crafty drug dealer, Huppert as Patience gives life to this delightful film with such elegance.
Based on the award-winning novel by Hannelore Cayre – who also co-wrote the script. Godmother is such a joy to watch—the kind of fun that keeps you a little on edge but is also heartfelt.
Patience Portefeux, aka Mama Weed, is such an entertaining character to follow. Her life philosophy is to take risks and bend the rules- keep life interesting enough and feel things, and she did. She is empowering, sleek and engaging. To watch and see her personality develop is exciting.
This film will leave you thinking about trying an adventure yourself. Most importantly, it delicately offers many current issues enough to inspire a conversation.
When things get real, there’s a certain amount of crudeness.
Obscenities is a film series that shows the hidden and most authentic version of human nature- always a fascinating theme. The three-part story carries a strong and clear message. In the authentic self, we show our hidden sides, we are not aware of completely.
Episode One: Many of us dream of winning the lottery, but when we come face to face with it, it’s a difficult situation to be in. I find it engaging in a highly awkward way. To see how the story unfolded was very intense.
Episode Two: The internet is a great place to get lost while scrolling through the obscure and the weird. And wouldn’t it be great to find out if they are real? This part I enjoyed for its quirkiness and slightly creepy atmosphere. It brought me back to “Tales from the Crypt” and “Twilight Zone.”
Episode Three: The last part of the series is quite the representation of Obscenities as a whole. The moment when human behaviour changes when there’s an unpleasant occurrence and how it affects individual responses is beyond fascinating to observe.
In general, this film has many creative strengths, and the script stands out as brilliantly written. There’s a good balance between humour and sincerity to send the message as clearly as possible. I absolutely enjoyed the dark comedy and would like to see more episodes.
Most importantly, the female led cast and inclusivity was more than a plus. It created a unique environment that made the whole series more compelling and intriguing. Stories that have never been shared before like this.
Obscenities ★★★★
When things get real, there’s a certain amount of crudeness.
Obscenities is a film series that shows the hidden and most authentic version of human nature- always a fascinating theme. The three-part story carries a strong and clear message. In the authentic self, we show our hidden sides, we are not aware of completely.
Episode One: Many of us dream of winning the lottery, but when we come face to face with it, it’s a difficult situation to be in. I find it engaging in a highly awkward way. To see how the story unfolded was very intense.
Episode Two: The internet is a great place to get lost while scrolling through the obscure and the weird. And wouldn’t it be great to find out if they are real? This part I enjoyed for its quirkiness and slightly creepy atmosphere. It brought me back to “Tales from the Crypt” and “Twilight Zone.”
Episode Three: The last part of the series is quite the representation of Obscenities as a whole. The moment when human behaviour changes when there’s an unpleasant occurrence and how it affects individual responses is beyond fascinating to observe.
In general, this film has many creative strengths, and the script stands out as brilliantly written. There’s a good balance between humour and sincerity to send the message as clearly as possible. I absolutely enjoyed the dark comedy and would like to see more episodes.
Most importantly, the female led cast and inclusivity was more than a plus. It created a unique environment that made the whole series more compelling and intriguing. Stories that have never been shared before like this.
Summoned by a young Mackenzie Walsh, a fairy godmother appears more than 20 years later. Now a single mom of two daughters, Mackenzie gets to have her fairytale story or not.
This story, not your typical fairytale, Godmothered is pure comedy-adventure. It is a story between young fairy godmother named Eleanor and Mackenzie -who now as we know is not ten years old anymore. Eleanor wanted to be relevant in her fairy community. Therefore she takes on the challenge and sets out to her first assignment.
Godmothered is a light family film made especially for the coming holiday season. It is an entertaining film, but inconsistent at times. All in all, a B-movie that aims to lighten up the mood this year with a moral lesson. As the changing times flow, we have to keep with the tide and evolve. The conventional is no longer applicable, and the alternative opens up doors for opportunities and a more flexible lifestyle.
Godmothered ★★½
Summoned by a young Mackenzie Walsh, a fairy godmother appears more than 20 years later. Now a single mom of two daughters, Mackenzie gets to have her fairytale story or not.
This story, not your typical fairytale, Godmothered is pure comedy-adventure. It is a story between young fairy godmother named Eleanor and Mackenzie -who now as we know is not ten years old anymore. Eleanor wanted to be relevant in her fairy community. Therefore she takes on the challenge and sets out to her first assignment.
Godmothered is a light family film made especially for the coming holiday season. It is an entertaining film, but inconsistent at times. All in all, a B-movie that aims to lighten up the mood this year with a moral lesson. As the changing times flow, we have to keep with the tide and evolve. The conventional is no longer applicable, and the alternative opens up doors for opportunities and a more flexible lifestyle.
John Wick, played by Keanu Reeves, is now on its third and most explosive franchise. If you haven’t seen the prequels, it’s probably time to watch them and start catching up.
The film begins as John runs for his life, knowing he doesn’t have much time before his excommunication order gets activated. When it does, all the assassins will be relentlessly haunting him.
Here are the three rules of John Wick III:
Kill John Wick.
While the film is mostly about John Wick trying not to die, it also shows us who John Wick was and who his old friends were. Apart from the gruesome fight scenes with extremely amusing choreography. The story takes us to his past and what this means for his future.
Do not shoot the dogs.
While the main essence of the movie is survival, protecting the dog companions are equally as important.
Honour the pact.
When John Wick makes a deal, he never forgets to collect. Fulfilling a contract, no matter what, is what John Wick stands for.
The apparent relevance of this franchise has raised more interests in how this will further develop or end. John Wick will be one of the fictional characters to gain a lot of followers, not just because he is an anti-hero with killer skills and a soft spot for dogs. Also, because of the fascination with the whole fictional underworld of assassins secretly existing in a harmonious system guided by stringent rules.
Three Important Rules in John Wick III ★★★½
John Wick, played by Keanu Reeves, is now on its third and most explosive franchise. If you haven’t seen the prequels, it’s probably time to watch them and start catching up.
The film begins as John runs for his life, knowing he doesn’t have much time before his excommunication order gets activated. When it does, all the assassins will be relentlessly haunting him.
Here are the three rules of John Wick III:
Kill John Wick.
While the film is mostly about John Wick trying not to die, it also shows us who John Wick was and who his old friends were. Apart from the gruesome fight scenes with extremely amusing choreography. The story takes us to his past and what this means for his future.
Do not shoot the dogs.
While the main essence of the movie is survival, protecting the dog companions are equally as important.
Honour the pact.
When John Wick makes a deal, he never forgets to collect. Fulfilling a contract, no matter what, is what John Wick stands for.
The apparent relevance of this franchise has raised more interests in how this will further develop or end. John Wick will be one of the fictional characters to gain a lot of followers, not just because he is an anti-hero with killer skills and a soft spot for dogs. Also, because of the fascination with the whole fictional underworld of assassins secretly existing in a harmonious system guided by stringent rules.
When it comes to love, no one is immune to the complexities and obstacles every couple must face. Not even the wealthy.
Crazy Rich Asians may display a grandeur and luxurious lifestyle throughout the film. However, the story does not revolve around the materialism and extravagance. But tells a story about Asian culture, family and indifference. It focuses on the fusion of different philosophies between the East and West. Through migration and travelling, one’s perspective becomes moulded into something in between two cultures - becoming foreign to the other.
And this is what happened to both Rachel Chu ( Constance Wu) and Nick Young (Henry Goulding). Although they are both Chinese by blood, Rachel was born and bred in New York. On the other hand, Henry also studied in the US. There in New York they met and fell in love.
But as all affluent families expect, the business is to be passed on through generations. And there is an unwritten code that all wealthy families connect with all the other affluent families too. This culture means it’s highly preferable to marry people within the wealthy community. And for Rachel to be a Chinese- American immigrant who does not belong to any wealthy family, it is a big deal for Nick’s family.
Crazy Rich Asians as a film is a breakthrough. For so long, there has not been a movie with an all Asian cast that hit Hollywood. And I would say it is very successful. I now get why people are crazy about this film. It’s so much more than the beautiful production, magnificent sceneries, astonishing costume and design and brilliant casting. The whole movie is a life lesson wrapped in lavish packaging. It opens up a world beyond the material world and sends a clear message about what is most important in life.
A definite must-see film of this year. A romantic comedy with a twist of drama and intense confrontations. Truly inspiring and engaging in so many levels.
In Cinemas August 30
Crazy Rich Asians★★★★
When it comes to love, no one is immune to the complexities and obstacles every couple must face. Not even the wealthy.
Crazy Rich Asians may display a grandeur and luxurious lifestyle throughout the film. However, the story does not revolve around the materialism and extravagance. But tells a story about Asian culture, family and indifference. It focuses on the fusion of different philosophies between the East and West. Through migration and travelling, one’s perspective becomes moulded into something in between two cultures - becoming foreign to the other.
And this is what happened to both Rachel Chu ( Constance Wu) and Nick Young (Henry Goulding). Although they are both Chinese by blood, Rachel was born and bred in New York. On the other hand, Henry also studied in the US. There in New York they met and fell in love.
But as all affluent families expect, the business is to be passed on through generations. And there is an unwritten code that all wealthy families connect with all the other affluent families too. This culture means it’s highly preferable to marry people within the wealthy community. And for Rachel to be a Chinese- American immigrant who does not belong to any wealthy family, it is a big deal for Nick’s family.
Crazy Rich Asians as a film is a breakthrough. For so long, there has not been a movie with an all Asian cast that hit Hollywood. And I would say it is very successful. I now get why people are crazy about this film. It’s so much more than the beautiful production, magnificent sceneries, astonishing costume and design and brilliant casting. The whole movie is a life lesson wrapped in lavish packaging. It opens up a world beyond the material world and sends a clear message about what is most important in life.
A definite must-see film of this year. A romantic comedy with a twist of drama and intense confrontations. Truly inspiring and engaging in so many levels.
Classic arcade games, and fight scenes- interesting!
I’m not entirely sure, but whenever I come across a long movie title, it usually is good. Ergo The Spy Who Dumped Me, (TSWDM in short) got my attention. Not only for its slightly long movie title but the names Mila Kunis and Kate Mckinnon sounds exciting. I somewhat had a feeling that this could be fun!
One of the things I like about TSWDM is their fluidity. It starts off by making you think that it’s a movie that you’ve seen before. But then it transitions into something more meaningful. And not your usual comedy films about pretty girls and flawlessness. In this film, you’ll get the “crazy adventure of a lifetime” theme but in a heartfelt way. A more down to earth approach armed with an amusing script. The film felt authentic and unpretentious- one of the things I like about it.
With an aim for kicking ass literally and figuratively, both Mila Kunis and Kate McKinnon did fantastically in their first duo. A part two is likely foreseeable.
The Spy Who Dumped Me ★★★½
Classic arcade games, and fight scenes- interesting!
I’m not entirely sure, but whenever I come across a long movie title, it usually is good. Ergo The Spy Who Dumped Me, (TSWDM in short) got my attention. Not only for its slightly long movie title but the names Mila Kunis and Kate Mckinnon sounds exciting. I somewhat had a feeling that this could be fun!
One of the things I like about TSWDM is their fluidity. It starts off by making you think that it’s a movie that you’ve seen before. But then it transitions into something more meaningful. And not your usual comedy films about pretty girls and flawlessness. In this film, you’ll get the “crazy adventure of a lifetime” theme but in a heartfelt way. A more down to earth approach armed with an amusing script. The film felt authentic and unpretentious- one of the things I like about it.
With an aim for kicking ass literally and figuratively, both Mila Kunis and Kate McKinnon did fantastically in their first duo. A part two is likely foreseeable.
Debbie Ocean (Sandra Bullock) is unstoppable when it comes to her wicked schemes. As soon as she got her parole approved, she went straight back to business.
With her vast knowledge and talents in the art of thievery, Debbie Ocean was fearless when forming her group, Ocean’s 8. She and her loyal partner Lou (Cate Blanchett), lead a group of diverse women all wanting to have better lives whether it be avoiding an impending bankruptcy, escaping parental pressures or simply starting anew. However, the end does not justify the means in this story–a well-maintained theme for these film franchise.
The female-dominated cast is a first for the Oceans series, celebrating diversity, inclusivity, and a step forward to gender equality which marks an essential point in modern blockbuster Hollywood films. When there is representation, it makes the film more relatable and engaging.
Ocean’s 8 is a light-hearted comedy with an insight to art and fashion industry. A particular scene I remember was how museums generally handle security issues. As well as the process that goes with organising the Met Gala. A nice touch to blend in with the story. While the film is mainly about a group of female misfits finding friendship and family in each other. And not so much on the lavish and luxurious lifestyle. Of course, there is always a twist at the end in stories involving big heists like this one. Another thing to find out and have a laugh about. If you are looking for an entertaining movie to watch with your friends, it’s a must to put this one on your list.
Opened since June 7
Ocean’s 8 Power to the Women★★★½
Debbie Ocean (Sandra Bullock) is unstoppable when it comes to her wicked schemes. As soon as she got her parole approved, she went straight back to business.
With her vast knowledge and talents in the art of thievery, Debbie Ocean was fearless when forming her group, Ocean’s 8. She and her loyal partner Lou (Cate Blanchett), lead a group of diverse women all wanting to have better lives whether it be avoiding an impending bankruptcy, escaping parental pressures or simply starting anew. However, the end does not justify the means in this story–a well-maintained theme for these film franchise.
The female-dominated cast is a first for the Oceans series, celebrating diversity, inclusivity, and a step forward to gender equality which marks an essential point in modern blockbuster Hollywood films. When there is representation, it makes the film more relatable and engaging.
Ocean’s 8 is a light-hearted comedy with an insight to art and fashion industry. A particular scene I remember was how museums generally handle security issues. As well as the process that goes with organising the Met Gala. A nice touch to blend in with the story. While the film is mainly about a group of female misfits finding friendship and family in each other. And not so much on the lavish and luxurious lifestyle. Of course, there is always a twist at the end in stories involving big heists like this one. Another thing to find out and have a laugh about. If you are looking for an entertaining movie to watch with your friends, it’s a must to put this one on your list.
Janet (Kristin Scott Thomas) has just been appointed to a key ministerial position in the shadow cabinet – the crowning achievement of her political career. She and her husband Bill (Timothy Spall) plan to celebrate this with a few close friends. As the guests arrive at their home in London, the party takes an unexpected turn when Bill suddenly makes some explosive revelations that take everyone present by surprise. Love, friendships and political convictions are soon called into question in this hilarious comedy of tragic proportions.
Film Review:
To what a British comedy is, The Party is a film set on a single day. A day supposed to be the celebration of Janet’s ( Kristin Scott Thomas) appointment as a Minister in the new administration. The film is also in black and white, adding a more dramatic effect to this tragicomedy. As if there wasn’t enough humour and quirkiness already. Also there were times the movie felt so real, the anxiety and mental torture seemed unbearable to watch as the chaotic day felt endless.
For a moment, the film became all that matters to me- the dreading of what is to come, after all the confessions and betrayal. Kristin’s Party had been everything but about her, surrounded by friends who were present only to announce the significant events happening in their own lives. The aim is to gain attention for themselves and not really to share Kristin’s success with her career. There is one friend, who at the beginning appeared the coldest and most cynical of them all- April ( Patricia Clarkson) but turned out to be the only one who made sense and who did genuinely care for Kristin.
As a comedy film, The Party’s theatrical approach is a success regarding its delivery and aims to provide an entertaining dark British humour about life’s complexities. As well as a vivid observation of human behaviour and responses towards unpleasant events. What I think is the greatest impact the movie has given is the realisation that there are times in life, that things get out of hand and would feel like nothing is going right but in truth, nothing has ever been in anyone’s control in the first place.
In Cinemas: February 22, 2018
Rating: M Violence, offensive language & drug use
The Party ★★★½
Synopsis:
Janet (Kristin Scott Thomas) has just been appointed to a key ministerial position in the shadow cabinet – the crowning achievement of her political career. She and her husband Bill (Timothy Spall) plan to celebrate this with a few close friends. As the guests arrive at their home in London, the party takes an unexpected turn when Bill suddenly makes some explosive revelations that take everyone present by surprise. Love, friendships and political convictions are soon called into question in this hilarious comedy of tragic proportions.
Film Review:
To what a British comedy is, The Party is a film set on a single day. A day supposed to be the celebration of Janet’s ( Kristin Scott Thomas) appointment as a Minister in the new administration. The film is also in black and white, adding a more dramatic effect to this tragicomedy. As if there wasn’t enough humour and quirkiness already. Also there were times the movie felt so real, the anxiety and mental torture seemed unbearable to watch as the chaotic day felt endless.
For a moment, the film became all that matters to me- the dreading of what is to come, after all the confessions and betrayal. Kristin’s Party had been everything but about her, surrounded by friends who were present only to announce the significant events happening in their own lives. The aim is to gain attention for themselves and not really to share Kristin’s success with her career. There is one friend, who at the beginning appeared the coldest and most cynical of them all- April ( Patricia Clarkson) but turned out to be the only one who made sense and who did genuinely care for Kristin.
As a comedy film, The Party’s theatrical approach is a success regarding its delivery and aims to provide an entertaining dark British humour about life’s complexities. As well as a vivid observation of human behaviour and responses towards unpleasant events. What I think is the greatest impact the movie has given is the realisation that there are times in life, that things get out of hand and would feel like nothing is going right but in truth, nothing has ever been in anyone’s control in the first place.
Based on the real-life story of Tonya Harding who was a record breaker in the field of figure skating. However, her demeanour and personal life seem not compatible with the social requirements of the sport.
Film Review:
Back when figure skating was extremely popular, Tonya Harding broke the record of landing the first triple axel in the USA, while in competition. I, Tonya is a film based on the life and career of Tonya Harding. A story about a not so ordinary girl who grew up to be either loved or hated, and this is what makes the film quite entertaining.
Tonya grew up to be a robust dynamic woman because of the struggles in her life. An unbreakable spirit to pursue her dreams of becoming the champion she wanted since she was a little girl. Nevertheless, her boorish ways have always been what hindered her from fitting in the socio-political expectations of a female ice skater. However, Tonya made a name for herself and in the film’s interview scenes shows how proud she is of her accomplishments.
On a technical note, while I was watching the film, I could not ignore the seamless editing and brilliant sound effects. It reminded me of the TV series Fargo- a multiple award winner for their excellent and highly acclaimed drama series. The comparison is not because it has a similar winter setting, but rather the sound and impeccable editing which translated into an enticing nonlinear story. It makes the going back and forth an evident strength of the film’s plot. Also, not the least to mention, the whole cast delivering on their acts and gave justice to the people involved.
Films based on actual stories don’t please the audience quickly, especially when the filmmakers are not able to make it as close to reality as possible. However, when they do, it becomes more than just a film. But a story worth telling.
R 16 Rating
In Cinemas from January 25, 2018
I, Tonya ★★★★☆
Synopsis:
Based on the real-life story of Tonya Harding who was a record breaker in the field of figure skating. However, her demeanour and personal life seem not compatible with the social requirements of the sport.
Film Review:
Back when figure skating was extremely popular, Tonya Harding broke the record of landing the first triple axel in the USA, while in competition. I, Tonya is a film based on the life and career of Tonya Harding. A story about a not so ordinary girl who grew up to be either loved or hated, and this is what makes the film quite entertaining.
Tonya grew up to be a robust dynamic woman because of the struggles in her life. An unbreakable spirit to pursue her dreams of becoming the champion she wanted since she was a little girl. Nevertheless, her boorish ways have always been what hindered her from fitting in the socio-political expectations of a female ice skater. However, Tonya made a name for herself and in the film’s interview scenes shows how proud she is of her accomplishments.
On a technical note, while I was watching the film, I could not ignore the seamless editing and brilliant sound effects. It reminded me of the TV series Fargo- a multiple award winner for their excellent and highly acclaimed drama series. The comparison is not because it has a similar winter setting, but rather the sound and impeccable editing which translated into an enticing nonlinear story. It makes the going back and forth an evident strength of the film’s plot. Also, not the least to mention, the whole cast delivering on their acts and gave justice to the people involved.
Films based on actual stories don’t please the audience quickly, especially when the filmmakers are not able to make it as close to reality as possible. However, when they do, it becomes more than just a film. But a story worth telling.
Synopsis: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes–Batman, Wonder Woman, Aquaman, Cyborg and The Flash–it may already be too late to save the planet from an assault of catastrophic proportions.
-Warner Bros. Pictures
Film Review:
There is the more inferior quality of visual and effects compared to the Marvel franchise. However, this film was better than the last one (Batman VS Superman). A somewhat lighter approach to what DC does typically, Justice League came out a bit unexpected. Picking up from where it left off in the previous film, Batman VS Superman- there’s grief. And with Superman’s death, there are more threats to humanity-fear and uncertainty builds up. Therefore Batman (Ben Affleck) and Wonder Woman (Gal Gadot) had to recruit new members namely Ezra Miller as The Flash, Ray Fisher as Cyborg and Jason Momoa as Aquaman, and form the Justice League.
It did not take long though, and the group was quick to announce their need for Superman ( Henry Cavill) to return after their encounter with Steppenwolf (Ciaran Hinds). There is a sense of disappointment when DC introduced their heroes but missed developing them into strong characters. They appeared weak and desperate as well as disconnected with each other. I also noticed the dark tone, and heavy feeling of a DC franchise seemed to have lightened up a little bit in this film. There was more humour injected into the movie in the presence of The Flash and was quite effective as comic relief.
Altogether, the film is not a complete letdown, but a lot of apparent details with the editing, storytelling and visuals contribute to a not so good movie. There were a few weak scenes like the lack of extras to play as civilians being saved by Superman. There was only one family consistently shown- hence made it hard to believe the alien invasion and relate to the film. Once again, DC needs to up their game and focus more on their heroes’ strengths, individuality and make everyone equally important despite the different levels of abilities.
NZ Rating: M for Violence
Synopsis: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes–Batman, Wonder Woman, Aquaman, Cyborg and The Flash–it may already be too late to save the planet from an assault of catastrophic proportions.
-Warner Bros. Pictures
Film Review:
There is the more inferior quality of visual and effects compared to the Marvel franchise. However, this film was better than the last one (Batman VS Superman). A somewhat lighter approach to what DC does typically, Justice League came out a bit unexpected. Picking up from where it left off in the previous film, Batman VS Superman- there’s grief. And with Superman’s death, there are more threats to humanity-fear and uncertainty builds up. Therefore Batman (Ben Affleck) and Wonder Woman (Gal Gadot) had to recruit new members namely Ezra Miller as The Flash, Ray Fisher as Cyborg and Jason Momoa as Aquaman, and form the Justice League.
It did not take long though, and the group was quick to announce their need for Superman ( Henry Cavill) to return after their encounter with Steppenwolf (Ciaran Hinds). There is a sense of disappointment when DC introduced their heroes but missed developing them into strong characters. They appeared weak and desperate as well as disconnected with each other. I also noticed the dark tone, and heavy feeling of a DC franchise seemed to have lightened up a little bit in this film. There was more humour injected into the movie in the presence of The Flash and was quite effective as comic relief.
Altogether, the film is not a complete letdown, but a lot of apparent details with the editing, storytelling and visuals contribute to a not so good movie. There were a few weak scenes like the lack of extras to play as civilians being saved by Superman. There was only one family consistently shown- hence made it hard to believe the alien invasion and relate to the film. Once again, DC needs to up their game and focus more on their heroes’ strengths, individuality and make everyone equally important despite the different levels of abilities.
Synopsis: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time. -IMDB
Film Review:
The Hitman’s Bodyguard is a buddy-comedy film that is, in all its efforts, almost funny. Michael (Ryan Reynolds) and Darius (Samuel Jackson) play as both the antagonist and protagonist in their love-hate affair, where the adage opposite attracts runs through the course of their story.
The story and the plot twist is bland but Samuel Jackson with his guaranteed tough savvy ways keeps us amused. All in all, averagely entertaining, to say the least. There is that predictability in the story which we already know the good guys win at the end. And despite all the action scenes, explosions, and car chases, the film felt dull.
The director Patrick Hughes is also known for his work in The Expendables III and the similar style shows in this film, both in its storytelling, stunts and the massive explosions. If that is something you enjoy watching, this light hearted comedy-action movie would be a treat and could be an option for a date night movie.
Out in NZ cinemas: August 31, 2017
Rating: R16 Violence & offensive language
Synopsis: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time. -IMDB
Film Review:
The Hitman’s Bodyguard is a buddy-comedy film that is, in all its efforts, almost funny. Michael (Ryan Reynolds) and Darius (Samuel Jackson) play as both the antagonist and protagonist in their love-hate affair, where the adage opposite attracts runs through the course of their story.
The story and the plot twist is bland but Samuel Jackson with his guaranteed tough savvy ways keeps us amused. All in all, averagely entertaining, to say the least. There is that predictability in the story which we already know the good guys win at the end. And despite all the action scenes, explosions, and car chases, the film felt dull.
The director Patrick Hughes is also known for his work in The Expendables III and the similar style shows in this film, both in its storytelling, stunts and the massive explosions. If that is something you enjoy watching, this light hearted comedy-action movie would be a treat and could be an option for a date night movie.
Synopsis: Steve and Rob set out to a working holiday trip through Spain as they take gastronomical experiences and soak in Spanish culture.
Film Review: Talk about mid-life crisis while on holiday. The Trip To Spain is a film that would make you laugh, drool and feel a slight sadness in between the impressions and jokes these two comedians make. It’s like watching a continuous stand-up show, but they both take you home after and get to see them as real people with real problems. Despite the comedy and hilarious take on the many celebrities, especially Mick Jagger, the two friends avoid having real conversations with each other. They seemed very close from a sight but not as tight as to show vulnerability.
This film is the third series of Rob and Steve’s journey to life from England to Italy, then Spain. This couple has officially made a successful comic trilogy that talks about real-life experiences with a touch of melodramatic conflicts such as their career and romantic lives.
In addition to their success would be their flair as comedians as well as their contrasting personality that makes them very interesting to watch while they talk for hours overlapping each other gracefully. This duo is such a delight to watch!
Altogether, The Trip To Spain is yet another instalment of The Trip series that guarantees to make you laugh and is best recommended to watch it with a glass of wine.
NZ Rating: M for Offensive Language
Synopsis: Steve and Rob set out to a working holiday trip through Spain as they take gastronomical experiences and soak in Spanish culture.
Film Review: Talk about mid-life crisis while on holiday. The Trip To Spain is a film that would make you laugh, drool and feel a slight sadness in between the impressions and jokes these two comedians make. It’s like watching a continuous stand-up show, but they both take you home after and get to see them as real people with real problems. Despite the comedy and hilarious take on the many celebrities, especially Mick Jagger, the two friends avoid having real conversations with each other. They seemed very close from a sight but not as tight as to show vulnerability.
This film is the third series of Rob and Steve’s journey to life from England to Italy, then Spain. This couple has officially made a successful comic trilogy that talks about real-life experiences with a touch of melodramatic conflicts such as their career and romantic lives.
In addition to their success would be their flair as comedians as well as their contrasting personality that makes them very interesting to watch while they talk for hours overlapping each other gracefully. This duo is such a delight to watch!
Altogether, The Trip To Spain is yet another instalment of The Trip series that guarantees to make you laugh and is best recommended to watch it with a glass of wine.
Synopsis: Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family’s desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes.
-Brett Lee (IMDB)
Film Review:
The Big Sick may not have the best title for its film, but this should not stop you from watching one of the funniest romantic comedy movies in a long time. It’s almost like an “anti-romantic” rom-com movie based on the real life love story of Kumail, playing as himself and his wife Emily, played by Zoe Kazan. The film revolves around their relationship and the issues surrounding it such as cultural differences and family traditions, shown in the most laughable but sincere way.
For Kumail, this is his first film, yet he has already broken the usual romantic comedy genre that has been asleep for a few years now. An original movie that marks the beginning of a new perspective on romantic comedy. Apart from it being a true story, the writers (Kumail and Emily) did very well with the script and screenplay. They both translated their story into a film, packed with hilarious conversations between regular people with regular problems. There were a lot of comic scenes with pure intentions to address the elephant in the room, and it did feel slightly cringy but mostly entertaining!
There’s also that element of drama where different conflicts surrounded Kumail and Emily’s relationship along with the illness that Emily had. Although, it didn’t feel too melodramatic at all. On the contrary, it felt real and relatable.
This movie is a must see romantic comedy film of this year. A delightful and entertaining story with an exceptional material. It’s a movie you would talk about with your friends and family.
NZ Rating: M for Offensive Language and Sexual References
Synopsis: Kumail (Kumail Nanjiani), in the middle of becoming a budding stand-up comedian, meets Emily (Zoe Kazan). Meanwhile, a sudden illness sets in forcing Emily to be put into a medically-induced coma. Kumail must navigate being a comedian, dealing with tragic illness, and placating his family’s desire to let them fix him up with a spouse, while contemplating and figuring out who he really is and what he truly believes.
-Brett Lee (IMDB)
Film Review:
The Big Sick may not have the best title for its film, but this should not stop you from watching one of the funniest romantic comedy movies in a long time. It’s almost like an “anti-romantic” rom-com movie based on the real life love story of Kumail, playing as himself and his wife Emily, played by Zoe Kazan. The film revolves around their relationship and the issues surrounding it such as cultural differences and family traditions, shown in the most laughable but sincere way.
For Kumail, this is his first film, yet he has already broken the usual romantic comedy genre that has been asleep for a few years now. An original movie that marks the beginning of a new perspective on romantic comedy. Apart from it being a true story, the writers (Kumail and Emily) did very well with the script and screenplay. They both translated their story into a film, packed with hilarious conversations between regular people with regular problems. There were a lot of comic scenes with pure intentions to address the elephant in the room, and it did feel slightly cringy but mostly entertaining!
There’s also that element of drama where different conflicts surrounded Kumail and Emily’s relationship along with the illness that Emily had. Although, it didn’t feel too melodramatic at all. On the contrary, it felt real and relatable.
This movie is a must see romantic comedy film of this year. A delightful and entertaining story with an exceptional material. It’s a movie you would talk about with your friends and family.
NZ Rating: M for Offensive Language and Sexual References
Ex-maid of honour Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend’s wedding anyway. She finds herself seated at the ‘random’ table in the back of the ballroom with a disparate group of strangers, most of whom should have known just to send regrets (but not before sending something nice off the registry). As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships - and even a little romance - can happen under the most unlikely circumstances.
-Fox Searchlight Pictures
Film Review: A chick flick about a group of random people seated at a table where nobody would want to be. Table 19, is a romantic comedy that starts off quite slow and picks up a little bit in the end but it doesn’t actually become any more attractive than what it is. The plot is very simple, it’s a wedding reception where the protagonist, Eloise (Anna Kendrick) attended the wedding despite her getting demoted. From maid of honour and ex-girlfriend to the best man and brother of the bride Teddy (Wyatt Russell) to being a regular guest. All these, just so she could find out if she still has feelings for him. She then meets this group of strangers and gets to know them.
The story would eventually unfold into a slightly bigger picture showing all the different tales of the other five guests on the table, including husband and wife Bina and Jerry ( Lisa Kudrow and Craig Robinson) who apparently have been having marital issues for three years. Rezno, (Toni Revoloni) who plays a desperate for romance teenager and has an overbearing mother that keeps calling him every 15 minutes. Walter (Stephen Merchant) is quite a funny and mysterious character in the group but ends up being the most interesting one among them. Lastly, Jo ( June Squibb) aka Nanny Jo, the brides ex-nanny who is the kindest and most caring person the whole world but can also be the toughest among them.
The main cast is definitely adorable and did mostly well with their roles as unique individuals forced to sit with each other but surprisingly ending up as besties. Unfortunately, the film is not cute or funny at all. It’s generally cheesy and poorly executed with a slightly misleading twist when Eloise was confronted of what seemed to be a love triangle only to find out an utterly confusing discovery.
Table 19, is a dry comedy that appears more like a dramedy. A film that one might like to watch when bored or have nothing else to watch. A mediocre romantic comedy film that doesn’t have many surprises or comic scenes to enjoy. It appears more like a drama than a comedy. Overall, the film is unexciting and dragging with a not so well thought plot and script.
Out in NZ cinemas May 4, 2017
NZ Rating: M Offensive language, sexual references & drug use
Synopsis:
Ex-maid of honour Eloise (Anna Kendrick) - having been relieved of her duties after being unceremoniously dumped by the best man via text - decides to hold her head up high and attend her oldest friend’s wedding anyway. She finds herself seated at the ‘random’ table in the back of the ballroom with a disparate group of strangers, most of whom should have known just to send regrets (but not before sending something nice off the registry). As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships - and even a little romance - can happen under the most unlikely circumstances.
-Fox Searchlight Pictures
Film Review: A chick flick about a group of random people seated at a table where nobody would want to be. Table 19, is a romantic comedy that starts off quite slow and picks up a little bit in the end but it doesn’t actually become any more attractive than what it is. The plot is very simple, it’s a wedding reception where the protagonist, Eloise (Anna Kendrick) attended the wedding despite her getting demoted. From maid of honour and ex-girlfriend to the best man and brother of the bride Teddy (Wyatt Russell) to being a regular guest. All these, just so she could find out if she still has feelings for him. She then meets this group of strangers and gets to know them.
The story would eventually unfold into a slightly bigger picture showing all the different tales of the other five guests on the table, including husband and wife Bina and Jerry ( Lisa Kudrow and Craig Robinson) who apparently have been having marital issues for three years. Rezno, (Toni Revoloni) who plays a desperate for romance teenager and has an overbearing mother that keeps calling him every 15 minutes. Walter (Stephen Merchant) is quite a funny and mysterious character in the group but ends up being the most interesting one among them. Lastly, Jo ( June Squibb) aka Nanny Jo, the brides ex-nanny who is the kindest and most caring person the whole world but can also be the toughest among them.
The main cast is definitely adorable and did mostly well with their roles as unique individuals forced to sit with each other but surprisingly ending up as besties. Unfortunately, the film is not cute or funny at all. It’s generally cheesy and poorly executed with a slightly misleading twist when Eloise was confronted of what seemed to be a love triangle only to find out an utterly confusing discovery.
Table 19, is a dry comedy that appears more like a dramedy. A film that one might like to watch when bored or have nothing else to watch. A mediocre romantic comedy film that doesn’t have many surprises or comic scenes to enjoy. It appears more like a drama than a comedy. Overall, the film is unexciting and dragging with a not so well thought plot and script.
Out in NZ cinemas May 4, 2017
NZ Rating: M Offensive language, sexual references & drug use
Oscar winners Morgan Freeman (“Million Dollar Baby”), Michael Caine (“The Cider House Rules,” “Hannah and Her Sisters”) and Alan Arkin (“Little Miss Sunshine”)team up as lifelong buddies Willie, Joe and Al, who decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty, in director Zach Braff’s comedy “Going in Style.”Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a bold bid to knock off the very bank that absconded with their money.
-Warner Bros.
Film Review:
Like the three musketeers, this modern day group of three elderly gentlemen decided to rob a bank as an “ in your face” response to their employer’s failure to deliver their pension plans. A reboot of the original 1979 Going in Style film, with a deeper reason to rob a bank. As well as a lighter tone and family friendly feel.
The three leading roles were played by Willie (Morgan Freeman) Joe (Michael Caine) and Al (Alan Arkin) who all did really great in the movie. All of them seemed to have had so much fun with their roles as elderly men with different personalities complementing each other and as a group. As a fan of the main actors, it’s fascinating seeing them in comedy roles such as this film. They were funny and took their roles as if they were your grandpas.
The plot changes that were made in this reboot catered to the current issues of retirement and financial challenges many people are facing now– a nice touch that made the film very relatable. A movie that most people of the same age group would really enjoy! The jokes are slightly inconsistent and sometimes flat, but overall it is hilarious with a more than average comic scenes. And the memorable script to laugh about more after watching the film.
Taken as a whole, this movie is a fun and light-hearted story about three generally good men who just wanted a nice piece of pie and share it to rest of their neighbourhood. Not entirely a must-see movie but if ever you have a spare time and would like to spend a free day in the cinemas– this movie is the one to watch!
Playing in NZ cinemas from April 20, 2017
Synopsis:
Oscar winners Morgan Freeman (“Million Dollar Baby”), Michael Caine (“The Cider House Rules,” “Hannah and Her Sisters”) and Alan Arkin (“Little Miss Sunshine”)team up as lifelong buddies Willie, Joe and Al, who decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty, in director Zach Braff’s comedy “Going in Style.”Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a bold bid to knock off the very bank that absconded with their money.
-Warner Bros.
Film Review:
Like the three musketeers, this modern day group of three elderly gentlemen decided to rob a bank as an “ in your face” response to their employer’s failure to deliver their pension plans. A reboot of the original 1979 Going in Style film, with a deeper reason to rob a bank. As well as a lighter tone and family friendly feel.
The three leading roles were played by Willie (Morgan Freeman) Joe (Michael Caine) and Al (Alan Arkin) who all did really great in the movie. All of them seemed to have had so much fun with their roles as elderly men with different personalities complementing each other and as a group. As a fan of the main actors, it’s fascinating seeing them in comedy roles such as this film. They were funny and took their roles as if they were your grandpas.
The plot changes that were made in this reboot catered to the current issues of retirement and financial challenges many people are facing now– a nice touch that made the film very relatable. A movie that most people of the same age group would really enjoy! The jokes are slightly inconsistent and sometimes flat, but overall it is hilarious with a more than average comic scenes. And the memorable script to laugh about more after watching the film.
Taken as a whole, this movie is a fun and light-hearted story about three generally good men who just wanted a nice piece of pie and share it to rest of their neighbourhood. Not entirely a must-see movie but if ever you have a spare time and would like to spend a free day in the cinemas– this movie is the one to watch!
There are big changes brewing in Gotham City, and if he wants to save the city from The Joker’s hostile takeover, Batman may have to drop the lone vigilante thing, try to work with others and maybe, just maybe, learn to lighten up.
-IMDB
Film Review:
A funny and packed with action animated movie about Batman and his fight against his enemies and himself. The Lego Batman Movie is an instalment of The Lego Movie, this time mainly focusing on Batman and other DC characters. When I first learned about the film, I did have high expectations, basing on the first Lego film which was incredibly funny with a cleverly written script.
Although this time, The Lego Batman Movie was funny too but not as much as the first one. However, considering all other elements of the film. This movie has great things to offer, such as the portrayal of a superhero doing regular things like heating food in a microwave and watching chick flicks by himself –probably one of my favourite scenes in the film. It just shows how regular anyone can be and it’s hilarious- like thinking of yourself doing the same things while watching Batman heat his food.
There is that familiar outcast or misunderstood protagonist like the first instalment of this movie. This time it’s more centred on mocking a narcissistic, immature and cynical vigilante of Gotham City- Batman who is not known to be this lonely man-child, afraid to be part of a family again. In the most of the entirety of the film, Batman is a solo player who doesn’t fit in with the other Justice League Superheroes. However, eventually, he gets to be part of a family in the end. And he realises that he deserves it too like everybody else. This film brings a lot of simple yet important messages about life in a way Batman would deliver, and it’s quite touching.
Another film from The Lego Movie franchise that will be very memorable this year and years to come. I am very much looking forward to the next instalment. This movie has got great visuals and could have been funnier. Nevertheless, it’s worth watching and again and again.
Out in NZ cinemas: April 6, 2017
Short Synopsis:
There are big changes brewing in Gotham City, and if he wants to save the city from The Joker’s hostile takeover, Batman may have to drop the lone vigilante thing, try to work with others and maybe, just maybe, learn to lighten up.
-IMDB
Film Review:
A funny and packed with action animated movie about Batman and his fight against his enemies and himself. The Lego Batman Movie is an instalment of The Lego Movie, this time mainly focusing on Batman and other DC characters. When I first learned about the film, I did have high expectations, basing on the first Lego film which was incredibly funny with a cleverly written script.
Although this time, The Lego Batman Movie was funny too but not as much as the first one. However, considering all other elements of the film. This movie has great things to offer, such as the portrayal of a superhero doing regular things like heating food in a microwave and watching chick flicks by himself –probably one of my favourite scenes in the film. It just shows how regular anyone can be and it’s hilarious- like thinking of yourself doing the same things while watching Batman heat his food.
There is that familiar outcast or misunderstood protagonist like the first instalment of this movie. This time it’s more centred on mocking a narcissistic, immature and cynical vigilante of Gotham City- Batman who is not known to be this lonely man-child, afraid to be part of a family again. In the most of the entirety of the film, Batman is a solo player who doesn’t fit in with the other Justice League Superheroes. However, eventually, he gets to be part of a family in the end. And he realises that he deserves it too like everybody else. This film brings a lot of simple yet important messages about life in a way Batman would deliver, and it’s quite touching.
Another film from The Lego Movie franchise that will be very memorable this year and years to come. I am very much looking forward to the next instalment. This movie has got great visuals and could have been funnier. Nevertheless, it’s worth watching and again and again.
Synopsis: Jon Baker (Shepard) and Frank Ponch Poncherello (Peña) have just joined the California Highway Patrol (CHP) in Los Angeles, but for very different reasons. Baker is a beaten-up former pro motorbike trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside job inside the CHP. The inexperienced rookie and the hardened pro are teamed together but clash more than click, so kick-starting a real partnership is easier said than done. But with Baker’s unique bike skills and Ponch’s street savvy, it might just work…if they don’t drive each other crazy first.
-Written by Warner Bros.
Film Review:
Good cop, bad cop–Chips is originally an American TV dramedy series that aired in late 70’s that made six seasons until the 80’s. The film’s storyline is very similar from the series, Francis (Ponch) played by Michael Peña who is an FBI agent sent to go undercover, become a member of the California Highway Patrol (CHP) and find the dirty cops behind the recent robberies and the death of a particular CHP officer. He was then assigned a partner, a former pro motorbike rider John Baker, played by Dax Shepard.
The two started off slightly awkward when John introduced himself to Ponch in the locker room while he was half naked. Ponch being very uncomfortable and avoiding close contact, John felt the need to say something and both went on the wrong way. This scene made it clear that the two of them will have a lot of fun working together as partners and drive each other mad or maybe become the best of friends?
The movie is mainly an action-packed comedy with a light touch of drama. It focuses on Frank, and John’s characters as the both of them discover each other’s personalities and eventually become good friends, despite their occasional rambles and yelling at each other.
The film is written and directed by one of the major players in the movie, Dax Shepard did well writing a fun script for a light hearted comedy film about buddies. It has broken many stereotypes, like how the homophobia is used and misused in few of the scenes. As well as the standard types of looks for an 8/10 type of women. Not to forget about guys being in touch with their feelings and not being afraid to express them.
There’s a lot more that Chips offers than just explosive scenes, comic reliefs and motorbike stunts. It has a good script, although not too witty but good enough to make you think to yourself about what the characters say. There’s also good casting with a balanced and believable antagonist character of Vic Brown, played by Vincent D'Onofrio. The film also showed that there are indeed clean and dirty cops everywhere. It’s a situation that is continuing to happen at present.
Overall, a film enjoyable and fun to watch. Not the greatest comedy film of the year but still a good movie to watch and laugh about with your friends.
Out in NZ cinemas March 29, 2017.
Synopsis: Jon Baker (Shepard) and Frank Ponch Poncherello (Peña) have just joined the California Highway Patrol (CHP) in Los Angeles, but for very different reasons. Baker is a beaten-up former pro motorbike trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside job inside the CHP. The inexperienced rookie and the hardened pro are teamed together but clash more than click, so kick-starting a real partnership is easier said than done. But with Baker’s unique bike skills and Ponch’s street savvy, it might just work…if they don’t drive each other crazy first.
-Written by Warner Bros.
Film Review:
Good cop, bad cop–Chips is originally an American TV dramedy series that aired in late 70’s that made six seasons until the 80’s. The film’s storyline is very similar from the series, Francis (Ponch) played by Michael Peña who is an FBI agent sent to go undercover, become a member of the California Highway Patrol (CHP) and find the dirty cops behind the recent robberies and the death of a particular CHP officer. He was then assigned a partner, a former pro motorbike rider John Baker, played by Dax Shepard.
The two started off slightly awkward when John introduced himself to Ponch in the locker room while he was half naked. Ponch being very uncomfortable and avoiding close contact, John felt the need to say something and both went on the wrong way. This scene made it clear that the two of them will have a lot of fun working together as partners and drive each other mad or maybe become the best of friends?
The movie is mainly an action-packed comedy with a light touch of drama. It focuses on Frank, and John’s characters as the both of them discover each other’s personalities and eventually become good friends, despite their occasional rambles and yelling at each other.
The film is written and directed by one of the major players in the movie, Dax Shepard did well writing a fun script for a light hearted comedy film about buddies. It has broken many stereotypes, like how the homophobia is used and misused in few of the scenes. As well as the standard types of looks for an 8/10 type of women. Not to forget about guys being in touch with their feelings and not being afraid to express them.
There’s a lot more that Chips offers than just explosive scenes, comic reliefs and motorbike stunts. It has a good script, although not too witty but good enough to make you think to yourself about what the characters say. There’s also good casting with a balanced and believable antagonist character of Vic Brown, played by Vincent D'Onofrio. The film also showed that there are indeed clean and dirty cops everywhere. It’s a situation that is continuing to happen at present.
Overall, a film enjoyable and fun to watch. Not the greatest comedy film of the year but still a good movie to watch and laugh about with your friends.
